Then the sketch. I work with a mechanical pencil on 100 lb bristol. I didn't do as tight a job on the background because I was planning to paint it in Photoshop or on illustration board and scan it.

Concept-wise, I threw in some subtle story-telling. My methods come from that How to Create a Comic Book video with Todd McFarlane and Rob Liefeld, where McFarlane talks about drawing a car going over a cliff. Long story short, you can accomplish a lot of story in ONE panel. I always try to use setting, posture and countenance rather than supplementary panels and word balloons; which makes sense, I'm drawing pinups.